 |
a.metsä is a multimedia arts studio, designing for order and existence in states, systems, and landscapes of/in crisis.
|
 |
Cameron Bishop (PhD) is an artist, writer and curator lecturing in Art and Performance at Deakin University. As a curator he has helped initiate a number of public art projects including Treatment (2015/17) at the Western Treatment Plant; Sounding Histories at the Mission to Seafarers Melbourne with Annie Wilson; and the ongoing VACANTGeelong project with architectural and creative arts researchers, and leading Australian artists to explore and activate spaces left behind by de-industrialisation. As the recipient of a number of grants, awards and commissions he has been acknowledged for his community-focused approach to public art. All of his work explores the shifting nature of the term public, ideas around place-making, and the body’s appearance and experience as a political, private, and social entity. To this end he has published writing in book chapters, journals and exhibition catalogues while addressing these issues in the artwork he makes, often in collaboration with the artist and engineer, Simon Reis. With David Cross, he has worked on consultancy projects including the Metro Tunnel Creative Strategy, which saw them team with Claire Doherty from the UK-based Public Art Commissioning agency, Situations. |
| Moa Cederberg | |
 |
Toija Cinque is a multidisciplinary artist and curator whose work explores the intersections of digital media, ecology, and cultural memory. In Digital Realm (2024), she uses immersive technologies—AR, VR, and 360° video—to interrogate data ethics, surveillance, and environmental impact. Her curatorial project EcoDigital Futures (Melbourne Design Week 2024) explores digital technologies as both creative tools and ethical infrastructures for sustainability. In Memories That Make Us: Home Is a Distant Shore (2025), Cinque reflects on post–WWII Italian migration through interactive media, including her installation and 3D AR/AI application for Il Gentiluomo (The Gentleman). She co-produced the award-winning documentary Memories That Make Us, which received Best Ethnographic Film at the New York International Film Awards and was an Official Selection at the Asti International Film Festival and Fiorenzo Serra Film Festival. Across her practice, Cinque brings a critical and poetic lens to how technology shapes ecological futures and preserves cultural legacies. |
 |
Domenico de Clario is an interdisciplinary artist, writer and musician. He was born in Trieste, Italy, in 1947 and migrated to Australia in 1956. He was awarded an MA (1998) and a PhD (2001) in Performance Studies from Melbourne’s Victoria University. He taught in the PIT/RMIT School of Art (1973-1996) and was Head of the School of Contemporary Arts at Perth’s Edith Cowan University (2001-6) and Head of the Fine Arts Department at Monash University (2006-9).From 2009 until 2013 he was the Director of Adelaide’s Australian Experimental Art Foundation. Since 1966 de Clario has presented more than 350 solo exhibitions, installations and performances nationally and internationally and been awarded numerous grants and international residencies, including the Australia Council Fellowship. He has published three books and six CDs, featuring improvised keyboard and / or voice. In 2015 he relocated to Mildura in north-eastern Victoria and in 2016 he founded the museum of innocence mildura. From May 2016 until March 2023 he served as Chair of both the Arts Mildura Board and of the Mildura Contemporary Practice Committee. He currently serves as Chair of the Board of Mildura’s not-for-profit organization Food Next Door. |
| Benjamin Knock is a multidisciplinary artist dedicated to captivating the public’s imagination and bridging the gap between design and our natural environment. His expertise lies in creating large-scale murals, digital world building, and fine art studio work. Benjamin has gained recognition for his captivating paintings, installations and exhibiting regularly. His artistic style draws significant inspiration from geology and the hidden wonders beneath our feet. Having grown up on the rugged southwestern Australian coastline surrounded by untouched and rugged landscapes , Benjamin’s aim is to capture the exquisite terraforming elements that have shaped our planet we all call home. | |
 |
Samuel Kujala. After recognizing a nearly machinic feedback loop in his acting technique, actor-researcher Samuel Kujala has steered towards more and more technologically integrated ideas about corporeality and performance. Currently, Kujala works towards a Ph.D. in Tampere University’s CONVERGENCE of Humans and Machines research project, funded by Jane and Aatos Erkko Foundation. Informed by his acting practice in various forms of theatre and media, Kujala’s research focuses on the frictious and symbiotic moments that occur in close actor-technology relations. Through artistic experiments of acting cooperatively with various technologies—such as augmented reality, electrical muscle stimulation, and computer vision—Kujala aims to develop the concept and embodied practices of a technosymbiotic actor. Besides his research activities, Kujala’s acting credits include internationally acclaimed feature films, such as A Light That Never Goes Out (2025) and Fucking with Nobody (2020), as well as a number of drama series, for example Dance Brothers (2023; Netflix) and Pasilan Myrkky (2023; Ruutu+). |
| Michael Lukaszuk | |
|
Filip Lundberg
|
|
 |
Jack Manning Bancroft is the Founder & CEO of AIME. He is a graduate of The University of Sydney and Stanford University, a former NSW Young Australian of the Year, and an author of books for children and adults. Jack has received a Human Rights Medal, an Honorary Fellowship from the University of Western Sydney and is the youngest person in Australian history to be awarded an Honorary Doctorate, which he received from the University of South Australia. He is currently an Honorary Fellow at Deakin University with the Indigenous Knowledge Systems Lab. |
 |
Katey O’Sullivan is an Australian visual artist living and working on Wadawurrung Country, Geelong. Her experimental art making is connected through underlying themes of storytelling, community, and nature. O’Sullivan likes to use repurposed and gathered natural materials, in abstract, conceptual ways. Embracing opportunities for tension in her work, O’Sullivan’s practice begins with self-imposed constraints yet happily surrenders to the element of chance. Her work includes sculptural installations, textiles, alternative printmaking, and photography. Completing a BA in Visual Arts in June 2025, O’Sullivan has participated in group shows at Deakin University’s Project Space Gallery. A co-founder of after.fluxus.Collective and RegenArt Geelong, she has exhibited at Geelong’s Third Space + Digital Gallery in ‘Pernicious’ and received City of Greater Geelong grant funding to produce ‘Hidden Treasures’, an art show celebrating international students. O’Sullivan is currently developing her research-led arts practice during an Artist’s Residency at the University of Vaasa, Finland.
|
 |
Jurgis Peters is a Latvian new media artist and doctoral researcher at Tampere University, Finland. His practice-based research explores the impact of emerging technologies, particularly artificial intelligence (AI), on society and creative expression. Using AI both as a medium and a conceptual framework, Jurģis investigates how algorithms can augment artistic abilities and mediate transformative, intimate experiences. As such, he is particularly interested in the ability of using these emerging technologies and especially AI to research and accommodate altered states of consciousness. His work reflects on the ethical challenges and implications of AI adoption, envisioning future scenarios through speculative visual narratives. With a Master’s degree (MA) in Audiovisual Arts from the Art Academy of Latvia and a (MSc) degree in Computer Science from the University of Birmingham, Jurģis develops custom tools and algorithms for his projects, which have been exhibited internationally. |
| Frederick Rodrigues | |
 |
Spencer Rose is a generative artist who explores life through the lens of cellular automata. His work is rooted in questioning the fundamental elements of existence and its complexity. Spencer uses interactive particle simulations to explore the movement of everchanging abstract forms and their connection to sound. By using algorithms and improvisation to control millions of particles, the result of this visual chaos mimics aspects of organic life, revealing the common roots between the simulation and reality. |
| Daniel Shanken | |
| Nikiforos Staveris | |
 |
Peta White (Science and Environment Educator) is an Associate Professor in Science and Environmental Education at Deakin University. She led the OECD PISA Environmental Science contribution to the 2025 Science Framework ‘Agency in the Anthropocene’ and is active in climate change education research and advocacy. Peta Co-directs the Centre for Regenerating Futures and is the Editor-In-Chief of the Australian Journal of Environmental Education.
|
 |
Anne Scott Wilson’s work tests the thresholds of light, data and transcendence. Drawing from ballet’s exploration of transcendence through repetition, endurance, and physical commitment, Anne’s work delves into the paradox of inhabiting a physical body while yearning to surpass its limitations—confronting themes of mortality in the process. Whether working with video, AI, painting, installation, writing, or photography, she utilizes the tools available to her with a sense of spontaneity. Play is central to her approach, characterized by embracing failure. Through this iterative process of making and experimentation, her ideas are gradually revealed, evolving organically into her art. |
| Tyson Yankaporta |